i. Remeber It Is a World Wide Web: It Is To and From the Whole World
Publishing on the World Wide Web is as varied as
print publication and growing rapidly. To write about it is to
run the risk of being made obsolete as you write, but here
goes:
ii. Beware the Internet
Publishing on the Internet is a lot like posting your
poems at the laundromat. People who are not familiar with
copyright law are there in abundance, along with people
who know and care about such intellectual property rights. It
is not more risky to post poetry online. It is as easy to copy
written materail at the library as to take it from the Internet.
The difference is that it is already in print and protected by a
dated copyright if it is at the Public library. If you post a
poem on the Internet and you have not previously had it
published in a book with a registered copyright, you might
have trouble proving that it was originally yours. One
solution to practice is to include notice of your name and
copyright claim, and immediately print it out from the net as
soon as you post it there, whether at a chatroom, email or
posting board. Your printout will have the date on it. If it
does not also have the time, it might be wise to write that
down on the page as soon as you have printed it out. Such
printouts can be kept in a looseleaf book as a future
reference.
iii. Ezines
Many poetry ezines require poets to follow
submission guidelines, as do print magazines. An electronic
magazine is easier to change and can often be changed to
correct mistakes while the current month's edition is still
online. It could conceivably be changed and updated like a
webcam on a constant basis. Most ezines are published
once a month and edited only once. That editing is usually
completed before it goes online, as such a magazine is a
large undertaking.
Poems submitted to an ezine are usually studied by
the editorial staff and screened for adherence to the
requirements of the publication. Like literary magazines,
some publish many kinds of articles and others publish only
poems. Some are changed monthly and others stay online
for a long period of time with few or no changes. Still others
die and disappear from the net never to be heard of again. A
web ezine may be as varied as a home page; and the web
shows vast evidence how varied a home page can be.
iv. Bulletin Boards
Bulletin boards are web pages where poems may be
posted by web surfers. Some are open to anybody, and
some require a password and/or permission from a
moderator, in order to post poems or comments. Some are
very active, and others very slow. They may have regular
patrons, or newcomers constantly coming and going.
Bulletin boards (Poetry Boards or Posting Boards) are a
very good way to get to know some of the poets on the net
and get feedback on your own poems. Some are friendly
and some are not. You can read posting boards for a few
days before trying to post your own writing. This gives you a
feel for the action before you jump in.
v. Newsgroups
A newsgroup is very similar to a bulletin board with
the exception that you always need to subscribe in order to
post notices. Sometimes the subscription is simply a matter
of telling your computer to list the newsgroup as active on
your computer. Other newsgroups require you to write an
email to a given address to be able to read or post. You can
be a lurker on newsgroups and respond to individual posters
by email privately or you can post your own notices on the
board. There are poetry newsgroups where you can learn
what is being discussed on the Internet about poetry. Read
the rules (FAQ) of the newsgroup before attempting to post
your own notices. If the FAQ is too complicated or
troublesome, you will just have to take your chances with it.
vi. Home Pages Can Display Your Work Beautifully
Many poets have home pages; and they often publish
poems by like-minded poets on these pages. Some home
pages have sound files that play when you load. If your
computer is not compatible with these midi files you may find
your Internet connection will crash when you encounter such
files. Get rid of any bookmarks (or Favorites) that lead you
to pages that crash your computer or browser.
vii. Tips on Troublesome Color Problems
Graphics can enhance the appearance of a web
page, but may also make it so slow loading that potential
viewers will lose patience and go away. Background
textures can also be distracting and destroy the readability
of the text. Colors must contrast from light to dark to be
easily readable. There is a problem called color vibration
that can be very annoying. It happens when opposite colors
of similar intensity are next to each other. Blue next to
orange for example makes the line where the two colors
meet seem to vibrate; and the words become nearly
impossible to read. Also a color like yellow against white can
become invisible. You must be careful to not change your
colors to white against white or blue against blue, as you
can lose a file. The computer will know where everything is
but you won't. Always have your foreground color contrast
strongly with your background color. If you don't understand
this, but intend to experiment, be sure to keep a backup file
of everything in black and white.
Some poetry pages are anthologies provided by the
people who created the pages. Some are long files of
poems that can be read straight through like a print poetry
volume. Others are menu driven only; and you have to go
back and forth from the menu page to one poem and then
back to the menu page to access another poem. This can be
very complicated and slow if you just want to read a lot of
poetry. The third option, and the one I like, is a page which
can be accessed from a menu of titles that lead you to any
given poem, but in which you are also allowed to scroll up or
down from any point through the whole file of poems.
viii. Chatrooms Let You Discuss Your Poetry
There are several kinds of chatrooms where you can
type comments or speak into a microphone to converse with
other poets. Some chatrooms update every few seconds
and others have to be updated by clicking one link to post
and another to read. Chatrooms are changing rapidly; and
all levels of the technology are scattered around the net. To
learn more about a chatroom, link one and read its
instructions or contact a chatroom connected to your favorite
poetry ezine or bulletin board.
ix. Email Other Poets on the Web
You can contact almost anyone you find on the net by
email. There are email links on web pages and ezines.
Newsgroups list email addresses routinely so you can
contact participants. Poets exchange comments and poems
with other poets this way and often develop great
friendships with other web poets.
|